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Creative Mark Polar Flo Watercolor Brush, Try It Pack of 2Save Up to75%Off listStiffness Watercolors Acrylics Oils High Quality White Synthetic Watercolor Brushes Polar Flo Watercolor Brushes are beautifully designed with responsive white synthetic filament hair to meet professional standards. Each full-bellied round ends with a perfect point, and the wash brushes hold oceans… Stiffness Watercolors Acrylics Oils High Quality White Synthetic Watercolor Brushes Polar Flo Watercolor Brushes are beautifully designed with responsive white synthetic filament hair to meet professional standards. Each full-bellied round ends with a perfect point, and the wash brushes hold oceans of color. The flats will dazzle you with their straight, smooth, linear excellence and extraordinary control. Superb resilience and excellent shaping ensure crisp, beautiful results! Key Features: * Synthetic white filament * Short handles * Nickel-plated, seamless brass ferrules * Bristles keep their shape well * Aquarelles feature scraper handles * Perfect For: * Watercolor and gouache * Inks, fluid acrylics, and fluid media * Artists of all skill levels Please note: Handle tip color may vary depending on stock See More
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Michael Harding Watercolor - Vivid Set of 10, 15ml TubesSave Up to25%Off listBright Tones The Reinvention of Watercolours Michael Harding Artists Watercolours offer the clarity and longevity of Harding's famous oils in watercolour form. The range offers 135 vibrant colours, 92 of which are single pigment shades excellent for clean color mixing. Each pigment has been carefully bound with gum arabic and honey to maximize its impact. Due to the inclusion of honey in the formula, these colours exhibit excellent rewetting properties and can be reactivated easily with water. A mix of traditional colours and modern shades are included to cater to various artistic styles. Plein air artists will appreciate the wide selection of greens, while portrait artists will enjoy using the large selection of earth tones. These watercolours boast remarkable vibrancy, clarity, and longevity, offering a gorgeous palette to bring your artwork to life. Click the item number to discover each colour’s pigment details Key Features: * Beautiful range of 135 colours * Highly pigmented and finely milled * Excellent lightfastness * Bold, intense colours * No fillers used * Crafted with care Perfect For: * Artists and students * Effortless application and blending * Painting washes, glazes, and details * Adding depth and strength with colour * Lovely granulating effects See More
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Liquitex BASICS Acrylic PaintsSave Up to30%Off listBASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint… BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
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Liquitex Freestyle Acrylic BrushesSave Up to40%Off list…sizes of round, bright, flat and filbert shapes for all varieties of traditional painting methods. Freestyle Detail Brushes * Blended, medium-stiff high quality synthetic nylon bristle * Stainless steel rust-proof ferrule * Long, contoured satin matte finish handle * Round, Bright, Flat and Filbert… An innovative range of professional brushes for traditional and modern artistic expression! You love Liquitex's acrylic paints, now you can love their artists' paint brushes too! These new lines of Freestyle professional artists' brushes are designed with both the traditional painter and the modern artist in mind. For the traditionalist there are the Freestyle Detail brushes: a line of 24 brushes made from the highest quality synthetic nylon bristle, with a non-rusting ferrule and a long, ergonomically contoured satin matte handle for non-slip control. These brushes are available in the most popular sizes of round, bright, flat and filbert shapes for all varieties of traditional painting methods. Freestyle Detail Brushes * Blended, medium-stiff high quality synthetic nylon bristle * Stainless steel rust-proof ferrule * Long, contoured satin matte finish handle * Round, Bright, Flat and Filbert shapes * All available in sizes 2, 4, 6, 8, 10 and 12 For the pioneering modern painter, there are the Freestyle Large Scale brushes: innovative large designs that meet the needs of non-traditional painters working in grandiose scale. With medium to stiff blended synthetic bristles and lacquered matte, non-slip handles, Freestyle Large Scale brushes are perfect for oversized and mural work, contemporary effects and even outdoor use! From the all-purpose Universal Flat and Angle brushes, to the Paddle Brushes for moving thick color and the Splatter Brushes for unique marks and splatter effects, there is virtually no manner of artistic expression that cannot be achieved with these innovative, distinct brushes. The "Giant" brush can even be screwed onto a broom handle for massive reach! Whether your painting style is more traditional, more avant-garde, or a mixture of both, new Liquitex Freestyle brushes are sure to fit your style and enhance your creative expression! Freestyle Large Scale Brushes * Medium to stiff blended synthetic bristle * Brushed stainless steel rust-proof ferrules * Seasoned hardwood handle with non-slip matte finish * 7 innovative shapes / effects * Durable and suitable for outdoor work NEW! Freestyle Large Scale Brush Ring Set of 5 - Now you can get five of the most popular Liquitex Freestyle Large Scale Brushes in this convenient set! Includes a 1" Universal Angle, 1" Universal Flat, 1" Paddle, 2" Paddle and a Splatter Round brush all on a handy, portable ring that can easily be attached to a belt or a bag. Bought individually, that's over $85.00 list worth of innovative brushes at more than 50% off list prices! See More
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Princeton Aspen Series 6500 Synthetic BrushesSave Up to46%Off listPerformance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used,… Performance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used, enabling control and precise arrangement of color. Princeton’s Aspen™ brushes can be used with acrylics, oils, and water-soluble oils. Paint releases and glides evenly off the synthetic hairs. Each brush has a long polished black handle made from reforested wood and a matte non-glare black ferrule perfect for outdoor painting. Key Features: * Stiff synthetic bristles * Hair retains its shape * Paints glide off brush evenly * Matte non-glare ferrule eliminates light reflection * Polished black handles made of reforested wood Perfect For: * Acrylics, Oils, and Water-Soluble Oils * Controlled lines and placement of color * Artists, crafters, and students * Outdoor painting * Everyday studio use! See More
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da Vinci Top Acryl Long-Handle Synthetic BrushesSave Up to30%Off listThe Ultimate In Synthetic Brushes! da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and… The Ultimate In Synthetic Brushes! da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair * Characteristics of natural hair * Long handles * Glazing to heavy impasto techniques * Crisp brush edges & fine points * Holds a large amount of paint * Vegan-friendly brushes Perfect For: * Acrylic paint * Traditional or water-soluble oils * Students, amateurs, professionals * Fine control with heavy acrylics * Move paint with ease on the canvas * Quality and longevity * Impasto painting * Mural painters See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage,… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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