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Related Categories: Gloss Medium | Gac 100 | Acrylic Gloss Medium | Gac100 | White Paint Marker | Gac 200 | Gac 900 | Gac 500
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GOLDEN Gloss MediumSave Up to30%Off list
Starting At: 14.27
…liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More -
GOLDEN GAC Mediums - Specialty Acrylic PolymersSave Up to30%Off list
Starting At: 13.64
GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More -
GOLDEN Isolation Coat & Waterborne VarnishSave Up to30%Off list
Starting At: 9.58
…and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect… Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More -
Creative Inspirations Acrylic Mediums & VarnishesSave Up to81%Off list
Starting At: 4.19
…dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used… Versatile Acrylic Mediums For Artists At An Amazing Price Due to their large 1.8L size, low prices, and reliable quality, Creative Inspirations Acrylic Mediums and Varnishes are ideal for classrooms, social art parties, and art party businesses. An added convenience of these mediums is that each 1.8L jug container accepts a standard pump dispenser, which helps teachers quickly and precisely dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to create acrylic glazes. For the perfect final protective coating for a finished acrylic painting, you can use Creative Inspirations Acrylic Polymer Medium and Varnish in a 250 Ml or 1.8L jug. To maintain the integrity of your paints, we recommended to use these mediums to thin down your paint over using water. Key Features: * 250 Ml or 1.8L size * 1.8L jug accepts a standard pump dispenser * Acrylic mediums and varnishes * Medium extends colors * Enhances translucency and increases film integrity * Provides an even uniform finish * Varnish provides a final protective coating * Clean up with soap and water * Not watered down * Perfect For: * Artists* Teachers and students* Classrooms and workshops * Art party businesses * Higher quality medium at an amazing price * Maintaining the integrity of your acrylics * Creating glazes, enhancing colors * Extending translucency of colors * Better painting experience See More -
Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list
Starting At: 4.20
…Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More
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