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Liquitex Soluvar VarnishSave Up to40%Off list
Starting At: 18.29
…your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More -
Grumbacher Oil Mediums & VarnishesSave Up to37%Off list
Starting At: 16.71
…brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's… Grumbacher Mediums enhance and heighten oil colors Since 1853, Grumbacher has been providing artists with excellent quality artist materials and good old fashioned value. The oldest and one of the biggest producers of art supplies in the United States, Grumbacher contributes a variety of mediums for use with professional-quality oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine. Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more! Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
GOLDEN Acrylic Gel MediumsSave Up to30%Off list
Starting At: 14.27
…color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte):… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More -
Winsor & Newton Professional Acrylic Mediums And AdditivesSave Up to40%Off list
Starting At: 8.45
…artistic vision a reality! * Glazing Medium - Adds transparency. * Gloss Medium - Increases the transparency and flow. * Matt Medium - Increases the transparency and flow of your paints, while decreasing the gloss finish. * Gloss Gel - Increases the transparency of your paint without decreasing the… Use to improve flow of acrylic paints, add body, lengthen drying time and more! Of course acrylic paint straight from the tube can be beautiful, but why not spice it up and experiment with mediums and additives? Some are designed to assist with technical aspects like lengthening the drying time of paint, or increasing the flow. Others are intended as aesthetic qualifiers, adding or subtracting sheen, increasing transparency, or adding thickness and body. Mediums are what make acrylics among the most versatile paints out there: from delicate watercolor effects to near-sculptural impasto and everything in between, Artists’ Acrylic Mediums and Additives will help you make your artistic vision a reality! * Glazing Medium - Adds transparency. * Gloss Medium - Increases the transparency and flow. * Matt Medium - Increases the transparency and flow of your paints, while decreasing the gloss finish. * Gloss Gel - Increases the transparency of your paint without decreasing the body. * Matt Gel - Increases the transparency of your paint without decreasing the body, adds a matt finish. * Modelling Paste - Adds texture and structure to your painting. * Flow Improver - Greatly increases the flow of your colors for watercolor, hard edge, and staining techniques. * Slow Drying Medium - Increases the drying time of your acrylic paints. See More -
Winsor & Newton Galeria Acrylic MediumsSave Up to30%Off list
Starting At: 9.79
…Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More -
Winsor & Newton Artisan Water Mixable Oil MediumsSave Up to40%Off list
Starting At: 7.31
…Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More -
Winsor & Newton Oil Color VarnishesSave Up to43%Off list
Starting At: 6.37
…available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Speedball Screen Printing MediumsSave Up to34%Off list
Starting At: 5.82
…Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner… Acrylic Extender Base - Designed to mix any quantity with ink in order to create a transparent color. Diazo Photo Emulsion - Mix with Sensitizer for Photo Emulsion screen printing. Diazo Photo Emulsion Kit - Contains one 7 oz jar of Photo Emulsion, one 8 oz jar of Photo Emulsion Remover, and 1 oz bottle of condensed Sensitizer. Diazo Photo Emulsion Remover - When finished with an emulsion coated screen, apply remover to reclaim the screen with minimal cleaning effort. Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended to be screen printed. AP non-toxic filler. See More -
Pebeo Studio Acrylics MediumsSave Up to25%Off list
Starting At: 6.16
…Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More -
Liquitex Pouring Mediums and SetsSave Up to46%Off list
Starting At: 12.22
…its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More -
Turner Acryl Gouache MediumsSave Up to70%Off list
Starting At: 3.79
…Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More -
Liquitex Acrylic Gels & PastesSave Up to60%Off list
Starting At: 4.50
…polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More -
Canson Infinity Paper Sheets and RollsSave Up to25%Off list
Starting At: 14.34
…Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and… Museum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson Infinity photo papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper possesses the unique structure, surface texture, and warm white tone demanding artists expect from a traditional Fine Art digital photo art paper. This paper complies with the highest archival standards and is age-resistant. It gives a unique and unrivaled character to the Fine Art reproduction of traditional artwork and photographs. PhotoGloss Premium RC (270gsm) - An alpha cellulose acid-free digital art photo paper coated with polyethylene and a microporous color receiver layer. Gloss finish. PhotoSatin Premium RC (270gsm) is an alpha-cellulose, acid-free, digital art photo paper coated with a structured polyethylene and a microporous receiver layer. Satin finish. Platine Fibre Rag (310gsm) is a 100% cotton rag art paper with a pure white tone and no OBAs. Superior microporous coating brings this traditional darkroom paper to the digital era. Ideal for both color and black & white prints. Arches Velin Museum Rag (315gsm) - This 100% cotton, mould-made fine art paper is naturally age-resistant, has a smooth, fine-grain surface, and offers a pure white tone without OBAs. Rag Photographique (310gsm & 210gsm) - 100% cotton, museum grade Fine Art, and photo paper with a smooth white tone that offers a unique extra smooth surface and exceptionally high Dmax. Artist Canvas Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images. BFK Rives (310gsm) - 100% Cotton, Mould made Fine Art paper. BFK Rives® has a unique pure white tone obtained without using OBAs and a very smooth and velvety texture. See More -
Montana Acrylic Marker Refills And AccessoriesSave Up to24%Off list
Starting At: 4.75
Create your own custom Montana graffiti marker! This complementary range of paint refills, replacement nibs, and empty markers make the Montana ACRYLIC line even more versatile and customizable! Now it's easy to mix custom paints, fill up a marker, choose the perfect nib, and get started. As with… Create your own custom Montana graffiti marker! This complementary range of paint refills, replacement nibs, and empty markers make the Montana ACRYLIC line even more versatile and customizable! Now it's easy to mix custom paints, fill up a marker, choose the perfect nib, and get started. As with all Montana products, these refills and accessories are easy to use and of the highest quality for long-lasting performance. Make unique colors and tools for your art with Montanas ACRYLIC Marker Refills and Accessories! Key Features: * Non-toxic matte acrylic paint refills * Replacement nibs, empty markers * Vibrant, lightfast, pigmented colors * Refillable; replaceable tips Perfect For: * Both interior and exterior use * Graffiti, street, and urban art * Canvas, wood, metal, cement, and glass * Extra-fine and bold strokes Empty Markers – Available in 0.7mm Extra Fine, 2mm Fine, 15mm, 30mm & 50mm Broad. Translucent barrels make it easy to see the color and amount of paint within. Replacement Nibs – In an even wider size range than original markers, from 0.5mm to 50mm. Smaller size nibs fit Extra Fine and Fine Markers, larger nibs fit Broad markers. Empty Bottles – Translucent plastic bottles in 25ml or 180ml sizes for mixing and storing custom paint colors. ACRYLIC Refill Paint – All 24 Montana ACRYLIC water-based paint colors are available in either 25ml or 180ml bottles and are infinitely mixable to create unique color blends. See More -
GOLDEN Heavy Body Acrylic Paint SetsSave Up to30%Off list
Starting At: 24.98
…dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival… Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
…broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Montana Acrylic MarkersSave Up to5%Off list
Starting At: 6.23
Permanent paint markers for use on virtually any surface! The Montana Acrylic Marker range offers 37 brilliant water-based, highly pigmented, matte colors that match the shades within the Montana GOLD spray paint range and are perfect for interior and exterior use. These versatile markers come in… Permanent paint markers for use on virtually any surface! The Montana Acrylic Marker range offers 37 brilliant water-based, highly pigmented, matte colors that match the shades within the Montana GOLD spray paint range and are perfect for interior and exterior use. These versatile markers come in various nib sizes: 0.7mm extra fine, 2mm fine round, 15mm chisel, 30mm broad, and 50mm extra broad. Each marker's flow pump valve allows for accurate handling and application of color. The extra fine and fine nib are the best choice for detailed work, while the standard and broad sizes are ideal for bold and colorful marks. Montana Acrylic Paint Markers are lightfast, waterproof, and abrasion-proof — allowing for application to almost any surface, including canvas, wood, metal, glass, and walls of all kinds. Montana Acrylic is also perfect for use with airbrushes and traditional paintbrushes. With Montana Acrylic Paint Markers, the artistic possibilities are limitless! Key Features: * Non-toxic matte acrylic paint markers * 0.7mm, 2mm, 15mm, 30mm or 50mm nibs * Vibrant, lightfast, pigmented colors * Refillable; replaceable tips Perfect For: * Both interior and exterior use * Graffiti, street, and urban art * Canvas, wood, metal, cement, and glass * Extra-fine and bold strokes See More -
Createx Airbrush Colors and SetsSave Up to23%Off list
Starting At: 3.59
The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world.… The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world. With a wide line of colors including transparent, fluorescent, pearlized and iridescent colors, they can be used on a variety of surfaces. Each paint can be used on fabric, wood, automobiles, leather, canvas, plastics, aluminum and other metals, ceramics, latex, glass and more. Createx Airbrush Colors are made with a water-based formula that is non toxic and meets ASTM D-4236 standards. They are durable and can withstand outdoor elements like rain, dust and sunlight without fading or cracking. Key Features: * Made with lightfast, exterior grade pigments and durable resins * Exceptional flow and atomization * Wide range of opaque, transparent, fluorescent, pearlized and iridescent colors * Water-based, non-toxic colors Perfect For: * Automotive, fabric, wood, clay, metals, plaster, latex, glass and more * Withstanding outdoor elements without fading * Airbrushes and airguns * Sealing with a clear urethane for permanence See More -
Blair Artist SpraysSave Up to32%Off list
Starting At: 9.82
…Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish. Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish. Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish. Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings. Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More -
Krylon Gallery Series Sprays And FixativesSave Up to63%Off list
Starting At: 11.54
Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 11oz can size Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Fine Art Fixatif Protects your delicate dry media pieces from dusting, smudging, and fading while preserving all the color intensity of the unfinished piece. * Invisible protection for pastel, charcoal, graphite, and more * Will not dissolve whites and light colors like most fixatives * Preserves colors and intensity of dry media * Can be used as both a workable and a final fixative UV Archival Varnish Provides the ultimate in protection against harmful UV rays. * Provides the highest UV protection in artist quality coatings * Removable with mineral spirits or isopropyl alcohol * For acrylics, watercolors, oils, pastels, colored pencil, digital media & more * Durable, flexible, fast-drying, and non-yellowing See More -
Royal Talens Cobra Painting VarnishesSave Up to40%Off list
Starting At: 10.82
…they will protect against aging and environmental pollutants, while unifying the sheen of the piece. Removable with mineral spirits; available in Gloss, Satin, and Matte finishes. Cobra varnish: offers protection against aging of the paint, dust, dirt and the like, gives the painting an even sheen,… Protection against aging of the paint, dust, dirt and the like. Cobra painting varnishes will protect a painting for a long time. Cobra painting varnishes -These non-yellowing varnishes come in convenient spray cans for easy application. When applied to a thoroughly dry (between 6-12 months) painting, they will protect against aging and environmental pollutants, while unifying the sheen of the piece. Removable with mineral spirits; available in Gloss, Satin, and Matte finishes. Cobra varnish: offers protection against aging of the paint, dust, dirt and the like, gives the painting an even sheen, adheres well to the underlying paint layer, does not turn yellow, does not crack and can be easily removed if necessary (also after many years). * Cobra varnish glossy 102, 400 ml- Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, odorless white spirit. Qualities: Gives a high gloss. Apply when the paint layer is completely dry (at least 6 months). Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. * Cobra varnish satin 118, 400 ml- Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odorless white spirit. Qualities: Gives a silky sheen, Apply when the paint layer is completely dry (at least 6 months), Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. * Cobra varnish matte 103, 400 ml - Purpose:Permanent protection of an oil painting (final varnish).Composition: Synthetic resin, matting agents (silicas), odorless white spirit. Qualities: Gives a matte gloss. Apply when the paint layer is completely dry (at least 6 months). Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. See More -
Grumbacher Fixative Sprays - Final & WorkableSave Up to25%Off list
Starting At: 15.09
…reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed… Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and is appropriate for use on paper, photographs, printed materials, and ceramics. Grumbacher Workable Fixative is a matte spray used to fix traditional dry media or dried designers gouache for additional layers of media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed materials, and ceramics. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and can be reworked when dry. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Grumbacher Workable Fixative Matte Spray 11.75oz Can: Workable fixative and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Key Features: * 11.75oz Can, glossy or matte finish * Colorless, flexible, and non-yellowing * Fast-drying and can be reworked when dry * Protect dry media from smudging * Fix dry media * Workable Fixative allows non-porous surfaces to accept water-based media without beading up * Do not over apply Perfect For: * Protecting dry media * Adding lost tooth back to a drawing * Pastels, charcoal, pastel pencils, and graphite * Traditional designers gouache * Use on a wide range of artist papers * Professionals, teachers, students * Surface preparation for paper, acetate, foil, and glass * Paper, photographs, printed materials, and ceramics * Non-porous surface preparation for water-based media See More -
Amsterdam Acrylic VarnishSave Up to30%Off list
Starting At: 28.34
…paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed to be applied after… Professional Quality Acrylic Varnish! As an artist, you want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed to be applied after the paint has completely dried, they can be thinned with solvent, dry in a few hours, and do not yellow once dry. Key Features: * Apply when paint film has completely dried * Dries in a few hours * Will not yellow * Glossy, satin or matt appearance * Thin with white spirit * Remove dried varnish with solvent Perfect For: * Final Varnishing * Providing dust resistance * Archival fine-art protection * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More -
Chroma Atelier Interactive Mediums And AdditivesSave Up to40%Off list
Starting At: 7.39
…Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More -
Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list
Starting At: 11.29
…your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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