SLI Search Template
-
Da Vinci Professional Oil Color MediumsSave Up to50%Off list
Starting At: 7.15
…Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More -
Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list
Starting At: 4.20
…Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More -
Jack Richeson Shiva Signature Oil MediumsSave Up to35%Off list
Starting At: 8.98
Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More -
Liquitex Acrylic Gesso Surface Prep MediumsSave Up to39%Off list
Starting At: 12.25
…dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries… Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More -
Pebeo Mat Pub Acrylic Mediums and VarnishesSave Up to26%Off list
Starting At: 19.25
…professional quality acrylic mediums and varnishes! Pebeo Acrylic Mediums and Varnishes give artists the freedom to experiment with the qualities of the paint, slowing down or speeding up the drying time, improving flow, adding gloss, and creating texture. These acrylic mediums and varnishes are… Explore unlimited possibilities with professional quality acrylic mediums and varnishes! Pebeo Acrylic Mediums and Varnishes give artists the freedom to experiment with the qualities of the paint, slowing down or speeding up the drying time, improving flow, adding gloss, and creating texture. These acrylic mediums and varnishes are translucent, non-yellowing, and mix well with Pebeo acrylic colors, inks, and other mediums, and can be diluted with water. Upon drying they become waterproof, displaying amazing flexibility and film softness. Each medium allows artists to create new textures, modify brilliance, alter transparency and build collages. Key Features: * Translucent & non-yellowing * Pebeo acrylic colors, inks, and other mediums * Waterproof upon drying * Can be diluted with water Perfect For: * Mixed media applications * Canvas & paper * Glazing & creating texture * Students & professional artists See More -
Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list
Starting At: 11.29
…and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More -
Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off list
Starting At: 4.50
…Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More -
LUKAS Oil Painting Mediums - Solvents and ThinnersSave Up to60%Off list
Starting At: 25.50
…as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More -
Liquitex BASICS Acrylic Mediums Open Stock and SetsSave Up to30%Off list
Starting At: 7.97
…Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry.… Prep, Paint, and Finish Your Painting With Liquitex BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for mixed media work while the Iridescent Medium is great for adding that extra shimmer to your paints. Liquitex Basics has also created a non-yellowing Matte and Gloss Varnish that can be used to permanently protect your finished acrylic paintings! Artists on a budget or students just starting out should know that Liquitex Basics Mediums and Varnishes are essential! Key Features: * 250ml, Mediums * Dependable and affordable * Adding extra shimmer to your paints * Adjust the texture, flow, & surface sheen * Permanently protect your finished acrylic paintings * Excellent working qualities Perfect For: * Students learning Acrylics * Artists painting large scale * Budget-minded Artists Gloss Gel Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry. Dries to a gloss finish. Modeling Paste 200ml: Opaque matte structure paste. Ideal for 3D effects, for use on canvas and wood. When added to acrylic paint it thickens the consistency of the paint. Produces brush stroke retention in paintings. The paste can be used on its own to build up the texture. Water resistant when dry. Coarse Texture Gel 200ml: Dries to a course 'sand' like finish. When dry can be painted with Liquitex acrylic colors or mixed with color before application. Iridescent Medium 200ml: Provides pearlescent effects when added to acrylic colors. Adds shimmer to paint. Mix with acrylic color before application or apply on top of dry painting. Matte Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an extra matte finish. Gloss Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an added gloss finish. Matte Varnish 250ml: Permanent matte varnish used to protect finished paintings. Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not yellow over time. See More -
Michael Harding Artists' Oil Color Mediums & VarnishesSave Up to25%Off list
Starting At: 11.35
…on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More -
Chelsea Classical Studio Oil Painting Mediums Sampler SetsSave Up to50%Off list
Starting At: 11.53
…Lean Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; improves paint drying time and gloss.* Decreases drying time*… Keep your studio clean without any harsh chemicals with this sampler set! Now is your chance to own the entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these wonderful products and they give off a pleasant lavender scent. Made in the USA from Old World Master Techniques. This set includes the following items - 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Clarified Pale Cold-Pressed Linseed Oil What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities; improves acidity and drying of oil.* Handmade using finest quality ingredients* Created with Old Masters methods Clarified Pale Cold-Pressed Walnut Oil What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil.* Free of impurities* Use with whites and light colors Clarified Lean Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; improves paint drying time and gloss.* Decreases drying time* For use in earlier painting stages Clarified Fat Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; makes paint fatter, rich, and glossy.* Increases paint gloss* For use in later painting stages Lavender Spike Oil Essence What: Natural solvent that thins oil painting mediums, resins, and varnishes; handcrafted from the finest quality Lavender. Why: Safer alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues.* Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Lavender Damar Varnish What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer way to varnish paintings without carcinogenic toxic fumes normally found in varnishes. The ONLY Damar Varnish that is!* Dilute with Lavender Spike Oil Essence to make Retouch Varnish* Final varnish for completely dry oil paintings Lavender Brush Cleaner What: Effective oil painting brush cleaner based on distilled Lavender. Why: Safer alternative to turpentine; cleans brushes as well as turpentine, but with a lovely lavender scent!* Less abrasive to brushes than turpentine or mineral spirits* Pleasant scented, safe, natural alternative Lavender and Olive Oil All Natural Brush Soap What: Superior handmade soap for brushes and hands, crafted from all-natural ingredients; contains no chemical detergents. Why: Naturally safe, safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent!* All natural and homemade, pleasant lavender scent* Conditions and extends the life of brushes Key Features:* Pleasant smell - no harsh chemicals* Based on classic Renaissance formulas* Less toxic alternative to turpentine* Seven 1oz bottles of each medium plus a 2 oz bar of Lavender and Olive Oil Soap Perfect For:* Safer in the studio* Enhancing oil colors the natural way* Cleaning your brushes and preserving your paintings * Painting fat over lean See More -
Winsor & Newton Griffin Alkyd Fast-Drying Oil ColorsSave Up to40%Off list
Starting At: 6.35
…non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the… Fast Drying Oil Colors Made with pigments and oil modified alkyd resin Griffin Alkyd is an oil color formulated from the same family of fast-drying resins that has been used by Winsor & Newton in producing Liquin and other mediums since the 1960’s. Each color reaches a touch-dry state in less than 24 hours, making them ideal for fast working while still offering the working and optical properties of oils. Their unique luminosity makes them perfectly suited for glazing, particularly when used in combination with Liquin. Compatible with conventional oils, Griffin Alkyd Oils have excellent flow properties and dry to a durable, semi-gloss hard film that will not yellow over time. Made with an alkyd resin binder that has been modified with a non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the touch in 18 to 24 hours* Genuine oil color* Can be thinned with traditional oil color solvents* Can usually be varnished in 30 days* No compromise on lightfastness, color strength, and selection* Speed of drying allows techniques such as impasto and glazing to be done in considerably less time* Classed as artists' quality because the grinding of pigments* Dries to a durable, semi-gloss hard film* Will not yellow over time Perfect For:* Fast working while still offering the working and optical properties of oils* Colors remain workable for 4-8 hours* Oil painting outdoors* Clean with mineral spirits* Non-yellowing drying oil for optimum color retention* Glazing, particularly when used in combination with Liquin * Because alkyd film is slightly less flexible and is faster drying than traditional oil color, application over oil or oilbar layers is not recommended. Alkyd is not intermixible with acrylics. Griffin Alkyd Fast Drying Drying Oil Color Alkyds are made from a naturally derived vegetable oil that is polymerized. The result is a resin-like product that, when mixed with a solvent, is very similar to traditional linseed oil. The colours remain workable for 4 to 8 hours and are touch dry in 18 to 24. Consistent drying times across the range removes the usual restrictions that come with conventional oils, making it easier to overpaint, regardless of the colour upon the surface. Artist Review Great Product! "I work on commissions all the time that sometimes require a short deadline. I feel much more confident in getting them done and out in time while using these oils. You can also mix them in with regular oil paint and usually that will speed up the drying times as well. Usually they are completely dry in 24 hours!" See More -
Turner Palette CleanerSave Up to45%Off list
Starting At: 9.99
…from plastic palettes. Acrylic gouaches give artists the ability to adhere gouache to anything, but learn quickly after the fact that removing the dried gouache becomes a huge problem--even with scrubbing and soaking. Even the most durable plastic ABS palettes are subject to ugly stains left from… Restores stained acryl gouache and watercolor palettes to "like new" condition This palette cleaner from Turner Colour Works Ltd was created to remove Turner Acryl Gouache from plastic palettes. Acrylic gouaches give artists the ability to adhere gouache to anything, but learn quickly after the fact that removing the dried gouache becomes a huge problem--even with scrubbing and soaking. Even the most durable plastic ABS palettes are subject to ugly stains left from staining pigments, after stringent cleaning with soap and water. Turner Palette Cleaner works quickly and easily--simply dip a clean soft cloth into the cleaner and gently rub the palette clean (do not dilute). The 40ml jar has enough for dozens of palette cleanings; a little goes a long way! Although this product was originally created for use with Acryl Gouache, in testing we found that Turner Palette Cleaner is just as effective at removing watercolor palette stains! Use Turner Palette Cleaner to remove watercolor stains, sticky watercolor mediums, residue and cement-like acrylic gouache like magic—leaving your palette looking brand new! Key Features: * Removes acrylic gouache completely from palettes * Restores stained watercolor palettes to "like new" condition * Available in 40ml jars Perfect For: * Use on on all types of plastics, as well as ceramic and metal * Artists seeking a solution to stubborn stained palettes Apply Turner Palette Cleaner and allow to penetrate. Rub paint stained areas with dry cloth.. repeat process if necessary See More -
Mixing Bowl And PestleSave Up to25%Off list
Starting At: 19.79
…and milled with binders for the smoothest consistency. This classically designed ceramic mortar and pestle measures 4¾" and is perfect for grinding dry pigment! The ceramic surface of the pestle and bowl provides the necessary friction for grinding pigments to the finest particle size. Key Features:… Indispensable for grinding pigment! Pestles and mixing bowls have been indispensable tools in the creation of paints for hundreds if not thousands of years. Pigments must be ground down to the finest possible powders and milled with binders for the smoothest consistency. This classically designed ceramic mortar and pestle measures 4¾" and is perfect for grinding dry pigment! The ceramic surface of the pestle and bowl provides the necessary friction for grinding pigments to the finest particle size. Key Features: * Made of ceramic * Bowl diameter 4-3/4" * Pestle and mixing bowl Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Making paints by hand! See More -
BEST Medium-duty Stretcher BarsSave Up toOff list
Starting At: 2.96
Great for small paintings! The BEST Medium-duty Stretcher Bar is made from white pine. There is a greater supply of pine in the thinner and shorter length, so we use high-quality white pine for these bars. The lightweight bars are extremely useful in small paintings. These bars can save you money… Great for small paintings! The BEST Medium-duty Stretcher Bar is made from white pine. There is a greater supply of pine in the thinner and shorter length, so we use high-quality white pine for these bars. The lightweight bars are extremely useful in small paintings. These bars can save you money and make framing easier; perfect for beginners, college students, and small works of art. All of BEST's Stretcher Bars are designed so that the canvas is always a full ½" (except lightweight) from the stretcher bar to ensure that there will be no "ghost" impressions on the canvas. The rounded back edge reduces surface friction and allows for a smoother, tighter draw on the canvas for a more even painting surface. All feature a slotted back for easy installation of cross braces. Bars are made of pure kiln-dried white pine. Measure 1 ¼" deep × 1 ½" wide. (See line drawing in images) All Stretcher Bars are undersized by ⅛" to allow for fitting in a standard stock frame. If you require exact dimensions, this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Key Features: * Made of kiln-dried white pine * Perfect for small paintings * Select sizes available in 1" increments from 8" to 72" * No "ghost" impressions on the canvas * Rounded back edges * A smoother, tighter draw on the canvas * Even painting surface* Measures 1 ¼" deep × 1 ½" wide. (See line drawing in images) Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click Here-> BEST Medium-duty Cross Braces Cross Brace Recommendations: See the Stretcher Bar Cross Brace Layout to determine appropriate cross bracing for the frame you wish to build. Please note – Cross Bracing may require “Notching”. Notching is an additional Fee. If notching is required, the order is “Custom.” Please call 800-827-8478 ext. 218. To order cross braces – please click on the link to Best Medium-duty Cross Brace. Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218 Wood Stretcher Keys are not automatically shipped with Stretcher Bar orders. You must order from the list below. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment, we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
BEST Medium-duty Cross BracesSave Up toOff list
Starting At: 3.68
An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas… An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Key Features: * State of the art design works with all sizes of stretcher bars * Slotted design allows for finest adjustment of canvas tension * Available in select lengths up to 72" * Easy to use Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, please call our Order Dept. 800-827-8478 ext. 218. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. Please note that even though the cross-braces fit snuggly against the stretcher bars, they must be attached to the frame with cross-brace brackets. Two FREE brackets are included with every cross-brace purchase. See More -
Yasutomo Suzuri Grinding StoneSave Up to25%Off list
Starting At: 13.05
Flat grinding stone used to make sumi ink The Yasutomo Man-Made Suzuri Stone is a flat grinding stone used to make Sumi ink. A sloping indentation and small well at one end, the Sumi ink stick is ground on the stone surface with water to produce liquid ink. The man-made stone is a combination of… Flat grinding stone used to make sumi ink The Yasutomo Man-Made Suzuri Stone is a flat grinding stone used to make Sumi ink. A sloping indentation and small well at one end, the Sumi ink stick is ground on the stone surface with water to produce liquid ink. The man-made stone is a combination of powdered natural stone and cementing compound, which is molded under high pressure to produce a quality economical stone. The Suzuri Stone Sumi set contains two Sumi brushes, one Sumi ink stick, and one Suzuri stone in a beautiful paper box. An illustrated step-by-step instruction sheet on how to paint bamboo is included. A video QR code is also provided. Key Features: * S147 Suzuri grinding stone * Flat grinding stone used to make sumi ink * Sloping indentation with small well at one end * Size: 5-1/2" x 3" * Weight: 0.84 lbs Perfect For: * Sumi painting and calligraphy * Making Sumi ink * Multimedia artists * Sumi-e Artists * Artists of all skill levels See More -
New York Central® Glass Mullers and Grinding PlatesSave Up to66%Off list
Starting At: 19.99
…tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals… Quality Glass Mullers and Grinding Plates Artisans have been making paint for thousands of years with mullers and grinding plates. Manually milling the paint gives you control of the creative process from start to finish. New York Central® Glass Mullers are perfect for mixing ground pigments with oil or water-based binders. Available in two sizes, each Muller is made of strong, break-resistant, tempered glass. The short-domed handle comfortably fits in the palm of your hand and allows you to bare down as you grind pigments. This manual process allows you to mill the paint as fine or as coarse as you like. The smooth bottom of the Muller plus your added body weight helps to mix a smoother paint. Make sure your handmade paints have the smoothest consistency possible by pairing your Muller with a fine glass grinding plate from New York Central®! One side of the plate is smooth, and the other side is sandblasted for grinding pigments to the finest particle size. Mill The Paint As Fine Or As Coarse As You Like With Your Own Muller and Grinding Plate! Glass Muller: * Strong, break-resistant, tempered glass mullers * Short domed ergonomic handle * Comfortable to hold while grinding * Small: 2.16 in diameter x 1.96 in tall * Medium: 3.22 in diameter x 2.75 in tall Perfect For: * Grinding pigments to the finest possible powders * Making water-based or oil paints * Professionals and students * Making paints by hand! * Customized color mixing Grinding Plate: * Made of heavy-duty tempered glass * 0.47" (12mm) thick * Sandblasted for optimum grinding * Available in two sizes: * 11-¾" x 17-¾" (30 x 45 cm) * 17-¾" x 17-¾" (45 x 45 cm) Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Evenly dispersing and mixing pigments with binder * Professionals and students * Making paints by hand * Customized color mixing See More -
Frida Smooth Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More -
Cretacolor Drawing LeadsSave Up to40%Off list
Starting At: 8.99
The perfect assortment of sketching leads! Creatacolor artist drawing leads are perfect for creating clean marks and expressive strokes. The sticks come in packs of 6 and are available in different grades of charcoal, graphite, sanguine, sepia, and pastel. Both the Nero and Sanguine Oil leads… The perfect assortment of sketching leads! Creatacolor artist drawing leads are perfect for creating clean marks and expressive strokes. The sticks come in packs of 6 and are available in different grades of charcoal, graphite, sanguine, sepia, and pastel. Both the Nero and Sanguine Oil leads contain grease in their formula which makes them ideal for outdoor sketching. All of the leads are designed to fit in the Cretacolor Lead Holders. Key Features: * Different grades of lead * Charcoal, graphite, sanguine, sepia, and pastel * Sticks measure 4-5/8" long by 5.6 mm in diameter * Designed to fit Cretacolor lead holder * Six leads per box * Made in Austria Perfect For: * Illustrators and fine artists * Creating clean bold marks * Drawing with the clean control of a mechanical pencil * Students and professional artists * Expressive shading * Adding small details See More -
R&F Encaustic Grounds, Mediums, and Raw MaterialsSave Up to20%Off list
Starting At: 8.28
Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More -
Frida Pearl Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 19 different solvent-based colors with a pearlescent style to choose from. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a pebbled, pearlescent effect in 20 vibrant and bright colors. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Pebbled, pearl-like surface * Available in 19 vibrant colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > See More -
Frida Texture Effect Glass PaintsSave Up to73%Off list
Starting At: 1.94
Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath,… Make Your Own Stained Glass Creations With Excellent Results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent-based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood * Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More -
Jacquard Pearl-Ex Powdered Pigments & SetsSave Up to41%Off list
Starting At: 4.88
…color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment… Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More -
Brusho Crystal Colours & Sets by ColourcraftSave Up to11%Off list
Starting At: 6.73
Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used… Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used in many different ways. With a broad, vibrant color range, many fantastic effects can be made when mixing Brusho and other solvents like water or bleach. They can be sprinkled on a brush for painting, dissolved in water, sprinkled on wet paper, painted on papier-mâché, fabric and much more. They are completely non-toxic and non-harzardous, but can still stain unprotected skin. They have been manufactured in Sheffield, England for over 35 years. They are the versatile ink powder crystals to fuel your imagination! Key Features:* Highly Pigmented Water Colour Ink Powder* Versatile ink powder crystals* Can be mixed with water to make watercolour washes and designs* Versatile powder crystals can be used for numerous creative effects and enhancements* Wide range of 32 colours* Completely non-toxic and non-harzardous* Dissolves in water* Sprinkled on wet paper* Painted on papier-maché, fabric and more Perfect For:* Can be sprinkled on a brush for painting* Watercolour painting * Fabric effects for wall hangings, design work, stage backdrops* Stencils* Creating designs using wax, crayons or candles. Craft Spritzer Set — Ideal for card making and other crafts, this set includes six 15 gram pots Brusho Crystals (Sunburst Lemon, Orange, Alizarin Crimson, Violet, Turquoise, and Sea Green), plus a spritzer bottle for creating bursts of vibrant background color. Assorted Set of 8 — This basic introductory set contains Yellow Ochre, Rose Red, Lime Green, Olive Green, Moss Green, Sandstone, Terracotta, and Burnt Sienna in 15 g pots, plus an instructional leaflet. Assorted Set of 12 — This broader range of 12 colors includes Lemon, Yellow, Orange, Scarlet, Brilliant Red, Purple, Ultramarine, Leaf Green, Emerald Green, Turquoise, Dark Brown, and Black in 15 gram pots, along with an instructional leaflet. Assorted Set of 24 — This complete set of 24, 15 gram colors includes Lemon, Yellow, Gamboge, Orange, Vermilion, Scarlet, Brilliant Red, Ostwald Red, Crimson, Cobalt Blue, Ostwald Blue, Ultramarine, Prussian Blue, Turquoise, Leaf Green, Emerald Green, Sea Green, Violet, Purple, Light Brown, Dark Brown, Grey, Black, and White, plus an instructional leaflet. See More -
Old Holland Pigments & Raw MaterialsSave Up to25%Off list
Starting At: 22.95
…the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More -
Fundamentals Children's EaselSave Up to77%Off list
Starting At: 8.49
…today! Art Supplies Not Included. Refill Paper Roll -This refill roll measures 16" wide × 11 yards long. This neutral pH, white, smooth, medium weight paper is suitable for all the projects a young artist might want to do. The paper will take tempera, pen and ink, markers, chalks, pastels… Perfect easel for kids to grow into! This lovely, all wood, naturally varnished finished easel created by Jerry's Artarama can be used by children 2 years old to young adults. It can not only be adjusted well, but it can also be stored with ease, as they are foldable. At its highest position, the easel measures 21¾" W × 22" D × 51" H—the largest variance of any children's art easel on the market! The paper roll attachment encourages creativity and reduces waste. A bottom 4½" wide paper clamp keeps paper from flopping around like on other easels. A bottom paint and storage tray is made of wood and can hold cups of paint and any other assortment of supplies since it is 3½" H × 3½" D × 20¾" L. All these things are important for young artists so they draw different things in the right way. On the reverse side is a pen and marker tray for the wipe off board that is 1½" wide × 2¾" long. Both the 18½" × 21" Chalkboard and Wipe-Off board are fully framed. The Fundamentals™ kids art easel is constructed very strong and durable it is already approved by many day schools for their active programs. Save on yours today! Art Supplies Not Included. Refill Paper Roll -This refill roll measures 16" wide × 11 yards long. This neutral pH, white, smooth, medium weight paper is suitable for all the projects a young artist might want to do. The paper will take tempera, pen and ink, markers, chalks, pastels and of course crayon. You should also make sure the height is perfect for him/her to pain whatever they want to see on paper. Make painting an enjoyable activity and you will soon see your kid using his inner creative powers. The largest variance of any children's art easel on the market, 3 Boards in 1! Solid wood strong and durable! Make painting an enjoyable activity and you will soon see your kid using his inner creative powers Key Features: * Adjusts from 36.5" to 51" tall* Solid wood construction* Includes: 1 paper roll* Three boards in one* 4½" wide paper clamp* A bottom paint and storage tray* Refillable paper roll Perfect For: * Any room in the home * Child care centers * Ages 2 to young adult * Multi purpose easel See More -
LUKAS Berlin PRO Artists Water Mixable Oil Paints & SetsSave Up to72%Off list
Starting At: 4.99
…Water-Soluble Oils That Dry Fast! LUKAS Berlin new formulation can dry in less than 1 day when mixed with water or used straight from the tube! For a more shiny or semi-gloss look, you can use an oil varnish spray. If you want to add solvents or mediums the paint will dry to touch in touch in just… Solvent Free Painting - Buttery, Full Bodied Water-Mixable Oil Color! LUKAS Berlin Water-Mixable Oil paints are the perfect paints to work with for the environmentally conscious painter—safer to use than traditional oil colors, with professional results! This professional quality line of 40 colors have all of the excellent features of LUKAS' most popular oil paints, but eliminate the need for harsh chemicals and toxic solvents. With a new and improved, cleaner formula, these colors are made with high-quality pigments and a special, modified binder made from natural materials such as linseed and sunflower oils. A Solvent Free Painting Experience - High-quality lightfast pigments, Beautiful colors! Unlike most other oil paints, LUKAS Berlin oil colors can be mixed or thinned directly with water to produce the same effects as other oil paints would with more toxic solvents like turpentine or mineral spirits. This ability also makes brush clean up easy with only soap and water needed. A beeswax additive gives each paint a smooth buttery consistency that is a joy to paint with—compare its quality and feel with other brands and you will see the difference! Buy direct from the importer and save big! Key Features: * Professional quality * High-quality lightfast pigments * Dries Fast! Drying Time: In less than 1 day * Can be mixed with water (no need for harsh solvents) * Available in 37ml and 200ml tubes / Sets * Can be mixed or thinned directly with water * Beeswax added for smooth buttery consistency * Beautiful colors * Texture is consistent * Cleans up easily Perfect For: * Eco-Friendly Art Studios * Smooth, buttery painting * Painting with synthetic brushes * Painting without any harsh chemicals * Quick-drying oils * No toxic chemicals needed for cleaning * Very smooth and easy to work with Water-Soluble Oils That Dry Fast! LUKAS Berlin new formulation can dry in less than 1 day when mixed with water or used straight from the tube! For a more shiny or semi-gloss look, you can use an oil varnish spray. If you want to add solvents or mediums the paint will dry to touch in touch in just 5-7 days. Germany's Finest! Professional Quality – Buttery, Full Bodied Water-Mixable Oil Color! View Lukas Berlin Color Chart > See More -
Gamblin Artist's Oil Paints & SetsSave Up to40%Off list
Starting At: 7.80
Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed… Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More -
BEST Galestio Print RacksSave Up to41%Off list
Starting At: 131.98
…your prints, panels or canvases. Key Features: * Easy to assemble * Folds flat * Three sizes available * Small: Base 20"x15-1/2", height 31" * Medium: Base 23-3/4"x16-1/2", height 33-3/4" * Large: Base 37"x17", height 37" Perfect For: * Displaying prints * Easy transportation * Exhibitions, art… Great to Display Artwork! Whether you're going to display your artwork at a conference, exhibit hall, mall or art show, the Best Galestio Wood Print Rack is the rack that will get the job done! These print racks are easy to assemble and fold flat for easy transportation. Available in three sizes. Although wood color and grain may vary, Galestio Wood Racks are a simple, elegant way to hold and display your prints, panels or canvases. Key Features: * Easy to assemble * Folds flat * Three sizes available * Small: Base 20"x15-1/2", height 31" * Medium: Base 23-3/4"x16-1/2", height 33-3/4" * Large: Base 37"x17", height 37" Perfect For: * Displaying prints * Easy transportation * Exhibitions, art shows, conferences and more! * Value-conscious artists who demand quality See More -
Folding Canvas Print Rack, "Medium" BlackSave Up to58%Off list
Starting At: 54.99
Black Ample storage that is convenient and lightweight! They are a must-have when selling or displaying your art in galleries, shops, and art shows! Their 1" thick, aluminum body makes them very lightweight and portable. The black canvas basin is sturdy and professional-looking. All four legs of these Canvas Print Racks are complete with rubber feet for added stability, and to ensure that they won't scuff or scratch the floor. Some assembly is required. Click On Yellow Technical Information Icon for more details. Key Features: * 1" thick, round, black aluminum frame * Rubber feet on each of the 4 legs * Lightweight and portable * Sturdy and professional-looking * Folds flat * Click On Yellow Technical Information Icon for more details * Click Here for the Creative Mark Canvas Print Rack Assembly Instructions > Perfect For: * Displaying artwork at outdoor shows * Displaying artwork at galleries, shops and galas * Artists on-the-go * Artists seeking a lightweight display unit * Folding Canvas Print Rack Mini Black: * Overall size: 21" H x 17" D x 18" L * Footprint: 11-1/2" W x 16" L * Weight: 7 lbs * Will hold artwork up to 16" x 20" * Folded Dimensions: 25" H x 2" D x 18" L * Resting bed area: 5" W X 12-3/4" L Folding Canvas Print Rack Jumbo: * Overall size: 38" H x 24-1/2" D x 35-1/2" L * Footprint: 35-1/2" L x 17" W * Weight: 11 lbs * Will hold artwork up to 25" X 37" * Folded Dimensions: 42-3/4" H x 2" D x 36" L * Resting bed area: 30-1/8" L x 8" W Folding Canvas Print Rack Medium: * Overall size: 39" H x 21-1/2" D x 24" L * Footprint: 23-1/2" L x 15" W * Weight: 9 lbs * Will hold artwork up to 20" X 24" * Folded Dimensions: 42-3/4" H x 2" D x 24" L * Resting bed area: 7-1/2" W x 18" L See More -
Holbein Extra Fine Artists' Oil Colors Large WhitesSave Up to35%Off list
Starting At: 13.16
Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed… Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed oil. Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. Holbein Artists' Oil Colors ranks as one of the world's finest. Key Features:* Seven uniquely diversified whites* Paint retains its flexibility* Smooth buttery feel* Imported from Japan Perfect For:* Oil painters * Reliable color mixing* Bringing out your highlights* Clean and lifelike colors Please note: Each color swatch below shows the individual white mixed with 50% Crimson Lake. Some Holbein White oil paints contain toxic materials. Please click on the paper icon and the ! icon for more information. See More -
Liquitex Acrylic Gels & PastesSave Up to60%Off list
Starting At: 4.50
…shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More -
Jack Richeson Ambrosia Print RackSave Up to39%Off list
Starting At: 210.93
Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print… Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print rack is adjustable and can open to hold artwork of any size.. Key Features: * Base dimensions: 37"x22" * Rack height: 32" * Gusset: 6-7/8" * Made from environmentally sustainable Lyptus wood Perfect For: * Holding prints, canvases and other pieces of art * Traveling to art shows, conventions and more * Artists of all skill levels See More -
ArtExpo Print RackSave Up to52%Off list
Starting At: 133.99
Stop storing your art. Show it off! With the ArtExpo Print Rack, you can show off your artwork while storing it! When you’re selling art in a gallery or at a show, you want prospective customers to flip through your work and hopefully buy something. At home, you may want an attractive and inviting… Stop storing your art. Show it off! With the ArtExpo Print Rack, you can show off your artwork while storing it! When you’re selling art in a gallery or at a show, you want prospective customers to flip through your work and hopefully buy something. At home, you may want an attractive and inviting place to showcase your artwork when you have guests. Or you may need a place to keep works in progress and finished art. Our ArtExpo Print Rack solves all these problems while keeping your space organized. ArtExpo is perfect for storing framed artwork, mounted prints, or even stretched canvases! The all-metal print rack has a wide bed and strong arms that can hold several pieces of artwork at once. The 6" wide bed has a soft leatherette lining, so you don't have to worry about scratching the sides of your canvases or frames on the base. Best of all, the four caster wheels allow you to roll the print rack across the floor with little effort. Key Features: * Holds artwork up to 30" × 40" * Overall dimensions 32-1/2" H × 33-5/8" W × 21-5/8" D * Arms measure 21-1/4" from the bed to the top corner * Metal construction: silver-tone & black * Six 22mm diameter support bars * 6-1/4" wide bed made of soft leatherette vinyl * Provides protection, access, and organization * Four durable caster wheels for easy movement Perfect For: * Displaying flat artwork * Galleries, art fairs, and shows * Home and studio * Artists on-the-go * Retail environments * Teachers and students * Storing canvas or mounted prints * No-hassle, everyday studio use Please note: The print rack does not come assembled. Full assembly is required. See More -
Cappelletto Allegra Premium Wood Print RackSave Up to71%Off list
Starting At: 119.99
Store artwork in this high-quality print rack Imported from Italy The Cappelletto Allegra Premium Wood Print Rack provides an ideal way to keep your finished prints, canvases, and framed artwork safe! Made of only the finest hand-picked wood, this smooth sanded oil-stained Beechwood print rack has… Store artwork in this high-quality print rack Imported from Italy The Cappelletto Allegra Premium Wood Print Rack provides an ideal way to keep your finished prints, canvases, and framed artwork safe! Made of only the finest hand-picked wood, this smooth sanded oil-stained Beechwood print rack has durable hard-plastic casters for mobility and a rubber anti-slip mat. These are just some of the features you'll find with this beautifully, Italian crafted print rack. Fits pieces up to 48" x 60". Easy to put together and the casters are sturdy. It rolls smoothly and is of high quality. The bed is wider than most and has a rubber base which is practical for stacking paintings. Beautiful in any setting! Key Features:* Premium Print Rack Imported from Italy* Handmade in Italy, the finest beechwood and craftsmanship* Made of only the finest hand-picked wood* Seasoned oiled stain-resistant beechwood* Fits pieces up to 48" x 60"* Durable hard-plastic casters for mobility* Fits canvases up to 60"* Measures 28" long x 20" wide and stands 31.5" off the ground* Base dimensions: 28" x 20.5"* Weight: 13 lbs* Rubber anti-slip mat* Width of the black rubber bed: 8.5" Perfect For:* Artists of all skill levels* Fine art collectors* Convenient Storage* Displaying your artwork* Artists that desire a premium quality* A higher-quality print rack at a value price! * Get to know Cappelletto - The Finest Easels Cappelletto is a manufacturing company that since 1976 produces with love and passion a wide range of Easels and Accessories for the Fine Arts. All the products of Cappelletto Srl are made in Castelfranco Veneto, a small medieval town in the province of Treviso, it is located a few kilometers from Venice. In this place we keep our project alive for years: to make wooden products and articles that are able to defy time, with all kinds of precision machining on solid wood and other natural materials. In 40 years of activity, Cappelletto Srl provided wooden easels, accessories, components, articles, and products of Italian quality to 21 countries of the world. This makes the company Cappelletto Srl a training ship of woodworking. See More
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field