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Jack Richeson Roz Pastel Box and BagSave Up to10%Off list
Starting At: 137.79
…Roz Pastel Bag is made of lightweight fabric and has two separate compartments. The lower section holds four Pastel Organizer Trays, and each tray holds 34 pastels for a total of 138 sticks! The bag is equipped with an adjustable shoulder strap with a shoulder pad for comfort. The bag measures 18"… Safely store and transport your valuable pastels! Jack Richeson's Roz Pastel Box is the best solution we've ever seen for carrying valuable pastels into the field! The high-impact, washable, white plastic trays hold anything from pastel chalks like Nu-Pastels to handmade Unison pastels. The outside is made entirely of aluminum measuring 17-3/4" × 14-3/4" and is only 2-1/8" thick. Four stackable trays are layered with impact-absorbing foam, so your pastels get from location to location in the best possible shape. All four trays feature a center grip so you can quickly and safely lift them out of the box. Once you have finished painting, the trays fit back into the box in seconds. The four trays hold up to 138 pastel sticks. The Roz Pastel Bag is made of lightweight fabric and has two separate compartments. The lower section holds four Pastel Organizer Trays, and each tray holds 34 pastels for a total of 138 sticks! The bag is equipped with an adjustable shoulder strap with a shoulder pad for comfort. The bag measures 18" × 8" × 6". Pastels sold separately. Key Features: * Roz Pastel Box measures 17-3/4" × 14-3/4" x 2-1/8" * Aluminum outer box casing * 4 High-impact, washable, white plastic trays * Trays are lined with impact-absorbing foam * Each tray holds 34 pastels! * Roz Pastel Bag measures 18" × 8" × 6" * Made of lightweight fabric * Adjustable shoulder strap with shoulder pad for comfort Perfect For: * Serious pastel artists * Quick and easy painting set up * Oil and soft pastels * Pastel transport * Workshops and travel * Maximum strength and safety * Organization and storage * Protecting materials See More -
Soho Urban Artist Plein Air Aluminum Lightweight Easel & Carry BagSave Up to68%Off list
Starting At: 36.99
…place during your painting session * Includes Convenient Carry Bag Perfect For: * Securely holding panel, pad, or canvases from .08" to 1.63" thick.* Painting anything from 3.5" high to 50'' high.* Fitting into virtually any travel bag or backpack.* Set up on a table, for sitting or standing by… Lightweight anodized aluminum compact easel - Your Go To Easel For Painting Outdoors This lightweight black anodized aluminum easel folds down to a compact 24.8" allowing it to easily fit into backpack or bags and weighs a just a tad more than 3.5lbs. Looks like a normal field aluminum easel but has key features for painting outdoors. You can set up on a table, for sitting or standing by adjusting legs from 24-66.14" by flipping up on the Sure-Lock height adjustment buttons. It will allow you to securely hold panels, canvas or pads from 2mm to 42mm (.08" to 1.63" thick) by using two very significant improvements to outdoor easels. The first is the top canvas holder that is spring loaded to extend to the exact width of your substrate. This top holder has a forward closing locking device to ensure that there is no movement even with wind. The bottom canvas holder allows you to lock the bottom of your substrate in place by loosening bottom screws and sliding the width adjusting rail to a tight hold. The strapping belt is 20.83" (53cm) long and can attach to the back leg. This allows the back leg to stay in place during your painting session. Paint anything from 3.5" high to 50" high and any reasonable width.Two very significant improvements to the outdoor easel 1. Top canvas holder that is spring loaded to extend to the exact width of your substrate. Holds securely in place during wind. 2. The bottom canvas holder allows you to lock the bottom of your substrate in place by loosening bottom screws and sliding the width adjusting rail to a tight hold Even if you own other Plein Air easels or a French easel you owe it to yourself to buy one of these. We know it will quickly be your go to easel for painting outdoors. No other easel can take 1.5" wide canvases or panels, can take canvases up to 50" high and has straps that keep legs wide apart while painting Key Features: * Made of Black Anodized Aluminum with Nylon Leg Locks* Fits into virtually any travel bag or backpack* Weighs a bit over 3.5lbs * Adjusts To Any Table, Sitting Or Standing Position From 24”- 66.14” High * Securely Hold Panel, Pad Or Canvas From .08” to 1.63” Thick. (2mm to 43mm) * Spring loaded top to extend to the exact width of your substrate and secure during wind * Paint Anything From 3.5” high to 50” high * Sure-Lock height adjustment buttons * Unique Flip Locking, Spring Loaded Top Canvas Holder and Adjustable Width Bottom Canvas Rest * Strapping Belt (20.83" / 53cm) long to keep back leg from sliding away from front legs * Back leg will stay in place during your painting session * Includes Convenient Carry Bag Perfect For: * Securely holding panel, pad, or canvases from .08" to 1.63" thick.* Painting anything from 3.5" high to 50'' high.* Fitting into virtually any travel bag or backpack.* Set up on a table, for sitting or standing by adjusting legs * Enhanced features for painting outdoors* Securely holding panels, canvas or pads from 2mm to 42mm (.08” to 1.63” thick)* Travel, sitting & standing Your go to easel for painting outdoors Even if you own other plein air easels or a French easel you owe it to yourself to buy one of these. We know it will quickly be your go to easel for painting outdoors. See More -
Deluxe Outdoor Adjustable Painting Umbrella by Jerry'sSave Up to50%Off list
Starting At: 50.39
Adjustable Angle Umbrella especially for artists. Keep the harsh sun at bay! Imagine that it is a beautiful sunny morning with just a hint of a cool breeze and not a cloud in the sky. You gather your outdoor painting gear and set out for a day of painting. After a bit of a walk, you find the perfect… Adjustable Angle Umbrella especially for artists. Keep the harsh sun at bay! Imagine that it is a beautiful sunny morning with just a hint of a cool breeze and not a cloud in the sky. You gather your outdoor painting gear and set out for a day of painting. After a bit of a walk, you find the perfect spot to paint. Your easel is set up, and you have prepared your palette with paint. But wait, now it's noon, and the sun is directly over your easel. Luckily you packed your Jerry's Deluxe Outdoor Painting Umbrella to keep the harsh sun at bay and remove painting glare! As you open the umbrella, you notice the beautiful chiffon-like white nylon canopy and sturdy double bone ribs with plastic safety tips. The 54" diameter canopy instantly softens the harsh sunlight that you are sure will become more intense throughout the day. The 14mm chrome steel shaft is attached to a long gooseneck which will allow you to change the position of the umbrella as the angle of the sun changes during the day. You attach the umbrella clamp to your french easel with ease. Now finally, with the perfect painting subject, you can enjoy nature and your favorite activity all at the same time! Keep the harsh sun at bay and remove painting glare! Uniquely engineered by Jerry's for artists painting outdoors Key Features:* Keep the harsh sun at bay and remove painting glare* Instantly softens harsh sunlight* Uniquely engineered by Jerry's for artists painting outdoors* Beautiful chiffon-like white nylon, 54" diameter canopy* Sturdy double bone ribs with plastic safety tips* 14mm chrome-plated steel shaft and flexible gooseneck* Flexible gooseneck allows you to easily adjust the umbrella as the position of the sun changes* "Easy Tighten" Clamp provides secure attachment to easel, table, or chair* Clamp opening measures 1-7/8" wide when fully extended* Offers shade and makes color identification easier* Full Length: 49-3/4" (when closed up)* Perfect For:* Keeping the harsh sun at bay* Removing painting glare* Artists on the go* Creating comfort from the sun while painting* Shade for you and your easel* Picnics, sporting events, and the beach* Quick umbrella set up* Changing the angle of your umbrella* Artists of all skill levels* To view, dimensions click on the individual paper icon for tech notes See More -
Valerri Lightweight Adjustable Travel Easel by Creative InspirationsSave Up to63%Off list
Starting At: 22.49
…simple click, letting you shift quickly between floor and tabletop configurations. You can add additional stability to the easel by hanging a stone bag or weight to the bottom hanging hook at the base of the easel. The integrated handle allows you to move the easel in the middle of a painting… Lightweight Versatile Easel Design with Amazing Features! Stable, ultra-lightweight, and compact, the Valerri Portable Easel is fully adjustable and made for all styles of painting especially plein-air painting and travel. The easel weighs only 2.82 lbs and comes with a nylon carrying case with shoulder strap. It will hold any reasonable width panel, canvas, or pad up to 28.7" high. Unlike other portable easels, Valerri Portable Easel features a crank for canvas height adjustment and locking mechanism designed to precisely adjust the easel depending on the size of your substrate. The top canvas holder adjusts to provide a firm hold for a variety of substrate depths. Easel legs have rubber swivel feet that adapt to uneven terrain, and a bubble level on the base helps you monitor the stability of your easel. The telescoping leg locks adjust with a simple click, letting you shift quickly between floor and tabletop configurations. You can add additional stability to the easel by hanging a stone bag or weight to the bottom hanging hook at the base of the easel. The integrated handle allows you to move the easel in the middle of a painting session, to adjust for sunlight, or to ensure the best vantage point. Made of aluminum with high impact plastic parts, this easel is a must for artists who want to venture outdoors or who have minimal space in their home to paint! Requires no assembly! Key Features: * Weighs just 2.82 lbs * Holds canvases & panels up to 28.7" tall * Spring-loaded top clamp holds canvas securely * Height adjusts with crank & lock mechanism * Pivoting non-skid feet add stability & protect surfaces * Requires no assembly * Built-in bubble level to ensure that your easel is stable * Center stabilizing bars with bottom hanging hook allows you to add weight for extra stability * Integrated easel handle to aid in movement of the easel * Nylon carrying case with shoulder strap * Telescoping legs lock in place with just a snap * Measures 61" high when fully extended, yet collapses to 22.83" long * Perfect For: * Oil or acrylic painting * Drawing with charcoal or graphite * Securely holding any reasonable width panel, canvas, or pad * Students, amateurs, professionals * Painting anything from 1.5" to 28.7" high * Working sitting or standing * Floor and tabletop configurations * Artisans' with minimal space in their home to paint! * Plein Air painting outdoors * Uneven terrain * Adjusting for sunlight * Travel painting * Hiking * Workshops See More -
Jacquard Dye AdditivesSave Up to10%Off list
Starting At: 3.95
Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More -
R&F Encaustic MediumsSave Up to20%Off list
Starting At: 8.28
Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More -
R&F Encaustic Grounds, Mediums, and Raw MaterialsSave Up to20%Off list
Starting At: 8.28
Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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